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Henri Cartier-Bresson
Paris Photo Daily #150

Henri Cartier-Bresson | 1953
This iconic 1953 photograph exemplifies Henri Cartier-Bresson's mastery of what he called "the decisive moment" and his exceptional eye for geometric composition. As a photographer myself, I'm drawn to how Cartier-Bresson transformed an ordinary urban scene into a powerful study of space, movement, and human presence.
What makes this image so compelling is Cartier-Bresson's precise framing of the multiple staircases and pathways, which create strong diagonal lines across the frame. The photograph features a solitary figure walking in the foreground while a couple stands near the base of the stairs in the distance—perfectly positioned elements that give scale and human interest to the geometric structure.
Cartier-Bresson had a particular affinity for stairs in his compositions. As he once said, "The greatest joy for me is geometry; that means a structure." This photograph is now part of the collection at the Musée Carnavalet in Paris, which describes it as "Photo prise en haut d'un escalier... Un homme seul sur le trottoir. En face, un couple et un escalier qui monte. Jeux d'escaliers" (Photo taken from the top of a staircase... A man alone on the sidewalk. Opposite, a couple and a staircase going up. Interplay of staircases)
The 19th arrondissement location was not an obvious spot for a photograph, but Cartier-Bresson's genius was in seeing potential where others might walk past. The stairs were constructed around 1920-1924 as part of a housing project in the Butte Bergeyre neighborhood, and while the area has changed over the decades, the essential structure remains recognizable today.
As photographers, we can learn so much from studying how masters like Cartier-Bresson approached seemingly ordinary scenes with extraordinary vision—finding beauty in the geometric patterns of everyday urban life and waiting for the perfect moment when human elements complete the composition.
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